How to shoot Super 8 film in 2020, by Lewis Jelley, Storm & Shelter

If you’re like me, and you’ve spent the last decade of your life shooting on digital cameras, from 5Dmk2s all the way up to Sony Venices, shooting on film is probably something that you’ve always…

Cinematography Breakdown : Icarus, by Lewis Jelley

Sony a7S & Atomos Shogun: A Setup Guide, by Lewis Jelley

IBC 2017 — Cinematographer's Choice, by Lewis Jelley

Mount Kelly Foundation Magazine 2018-2019

Cooke Anamorphic Primes on a Sony a7S, by Lewis Jelley

How to shoot Super 8 film in 2020, by Lewis Jelley

Brown County Press by Clermont Sun Publishing Company - Issuu

P+S Technik Kowa “Evolution” Anamorphic Lenses — A

Capturing on Digital vs Film — What's the Difference?

How to shoot Super 8 film in 2020, by Lewis Jelley

RED Monstro x IPP2 — First Impressions, by Lewis Jelley

My Top Tips for Industry Newcomers, by Lewis Jelley

In the field: Sony Venice Rialto Camera Extension System

The Cinematography of — Nineteen Fifty Eight “Dark Blue”